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Everything Modern Guitar
A Blog by Joe Nemchik


Archive for the ‘Gear’ Category

In-Ear Monitors

Sunday, May 30th, 2010

The only thing worse than having in-ear monitors is not having in-ear monitors.

I present the following situation:
Sound Engineer: Sounds good, do you guys need anything?
Joe: Yeah, can I hear a little more of me, please.
Paul (standing two feet from Joe): Can I hear a lot less of Joe, please.

What to do?
As a general rule, the bandleader is always right.
But there is another solution to this problem.

Every professional modern guitar player has had a set, or at least been offered a set of custom-molded, sound-isolating earphones. Here are some thoughts about my pair.

I don’t recommend them to anybody but performing musicians or maybe somebody who spends 100+ hours a year on airplanes. You will learn quickly that they aren’t something you want to wear while walking around busy streets because you won’t be able to hear a thing. You won’t want to wear them when you’re exercising because they can actually seal sweat in your ears (gross).

The first step is getting impressions of your ears from an audiologist. Make sure they use a bite block to keep your mouth open during the whole process. This will lead to the best fit for this type of hearing device. The molds are sent away to the monitor manufacture, & you hope they come back fitting. Make sure you are pushing them in correctly, not too far in & not falling out. They should flex around a little when your head/jaw moves, but if you ever feel like the seal is breaking, they don’t fit right; send them back. If you notice a little feeling of fullness, that’s normal, but if you’re in any kind of pain, they don’t fit right; send them back.

Here’s a chart of what they do, & why those things can be good & bad.

Pros Cons
The sound isolation gives you control more comparable to being in a recording studio, than being on stage. They make you feel like somebody built at 2-layer thick glass box around you on stage. Your eyes know you’re on stage, but your ears think you’re still in the practice room.
They can make even the worst amateur look & feel like a real pro. They can be very expensive.
They can potentially protect your ears from permanent nerve damage. Most young musicians are into that kind of stuff.
Some singers will like the intonation they get from having plugged up ears & a limitless, feedbackless volume control on their voice. Other singers will find it very un-natural to have plugged up ears.
If they’re mixed well, you can hear things with a clarity you’d never hear without them, & play better as a result. If they’re mixed poorly, or aren’t working, you’re in a new kind of trouble.
A custom fit means they should fit perfectly & comfortably. Getting them to fit perfectly isn’t always one-stop shopping.
Your little brother won’t ask to borrow them. Nobody else can hear what they’re missing.

In conclusion, if you want to hear yourself better without worrying about feedback, making yourself deaf or angry band members, in-ear monitors will solve your problems… but at a price, both in dollars and in a new set of problems.

What Color Guitar Should I Get?

Sunday, April 4th, 2010

Dear Joe,
“What color guitar should I get?”

Variations:
“Joe, why do you make such a big deal out of guitar colors?”
“Joe, why do guitar manufactures make so many crazy colors & body shapes?”

Dear reader,
Once you’ve determined a price range & narrowed down your search, buy the color you like best. It will sound better. I say this based on the principle that you will like it more & therefore play it more.

Guitars come in far more finish choices than any other instrument. This availability was originally put in place to mimic the marketing strategy of the automotive industry. It makes every customer feel a sense of individuality. Most people don’t like the feeling of having exactly the same guitar as their neighbor. They like choices & a feeling of customization. So asking color questions about guitars you’re interested in is a lot like asking, “what colors does this car come in?” Though it will not affect performance, color is an important, sometimes overlooked, factor that may affect enjoyment.

Guitar Picks

Sunday, March 28th, 2010

Kids Do Not Try This At Home!

FYI celluloid burns like that. Other materials do not!

Every couple of years I ask myself why I’ve been using a my regular guitar pick.  Sometimes I decide to make a change; sometimes I don’t.  I was even on thumbpicks for a few weeks in 2004.  That’s for another blog.

Here’s almost everything I know about the physical properties of guitar flat picks.

There are three basic plastics guitar picks are made from.  There are exceptions made of things claiming to be space-age or indestructible.  I don’t know anything about those.  Use them at your own risk.

Celluloid Pick

(Derlin) Tortex Pick

(Nylon) Jazz III Pick

There are three basic pick shapes: standard, large/triangular & small/jazz/drop.  Some of them come to a point; some are more rounded.

Picks come in different thicknesses.

Personal Observations:

  • Celluloid – Bright & Somewhat Harsh When Used Clean
  • Nylon (Jazz III) – Noticeably Warm
  • Derlin (Tortex) – Neither Harsh Nor Warm, Not Many Overtones

Artist Usage:

  • Most picks I have from pro Pop/Rock artists are of medium thickness.  Some are a little heavier.
  • I have an Yngwie Malmsteen pick that is extremely thick.
  • I have a Ronnie Dunn pick that is extremely thin.
  • ALL of my Berklee Guitar Professors who use picks, use heavy picks of standard shape.
  • Pat Metheny is quoted as using thin picks with heavy strings.
  • Eric Johnson has signature series Jazz III picks.
  • Mark Tremonti uses Jazz III picks.
  • Stevie Ray Vaughn was known to use a standard pick upside down.
  • Joe Pass broke standard picks in half so he would have two smaller picks.

I suggest you find a shop that will sell you a variety of single picks.  Do a lot of side-by-side comparisons.  Then wake up tomorrow, & do them again.  I would say that the shape & thickness of the pick depends on your playing style & the type of control you want to feel when you hold the pick, while the pick material has more to do with the tone you want & the way the pick wears down.

String Size for Beginners

Sunday, March 14th, 2010

A simple way to make any steel string acoustic or electric guitar easier to play is to put thinner strings on it. Thinner strings will not require as much force to hold down.

While changing to a thinner string size may compromise in tone, sustain, intonation & feel, these compromises are irrelevant if a beginner cannot play his or her instrument.

Guitar string thickness is referred to in thousandths of an inch, generally naming the thinnest & thickest strings in the set & referring to any balanced set by the thickness of the thinnest string & the thickest string in the set. For example: if you say “a set of nines” you are referring to a set which would likely be marked 9-42 on the front of the package, indicating that the thinnest string in the set is .009″ & the thickest string in the set is .042″. Labeling strings using words such as “medium” or “super light” is generally confusing & should be ignored as they often mean different things depending on style. For example “jazz light”, “regular light”, “acoustic guitar light” & “custom light” strings, all made by the same manufacturer, are four drastically different physical sizes.

I use D’Addario (Correctly Pronounced: Da-Dairy-O ((anglicized)) or Dahd-DAH-ree-oh ((Italian))) brand strings on all my instruments. They sound good & are consistently strong & free of corrosion in the package. Brand, as well as thickness are both personal preferences. There is no universally accepted best brand or size.

Electrics come strung with 9’s or occasionally 10’s. I recommend 9’s to most players below the college level. I recommend switching to 8’s for small children or anybody who is having an unusually hard time with 9’s.

Steel-string acoustics generally come strung with 12’s, which can be problematic for beginners, especially if the guitar has not been setup properly. If you are a beginner, having trouble pressing down on your acoustic, I recommend you restring it with 10’s.

NOTE: String gauge recommendations do not apply to 3/4 size instruments.